Showing posts with label A.K. Ramanujan. Show all posts
Showing posts with label A.K. Ramanujan. Show all posts

Wednesday, 25 September 2013

Looking For A Cousin On A Swing



Looking For A Cousin On A Swing

-  A.K. Ramanujan

When she was four or five
she sat on a village swing
and her cousin, six or seven,
sat himself against her;
with every lunge of the swing
she felt him
in the lunging pits
of her feeling;
and afterwards
we climbed a tree, she said,

not very tall, but full of leaves
like those of a fig tree,

and we were very innocent
about it.

Now she looks for the swing
in cities with fifteen suburbs
and tries to be innocent
about it

not only on the crotch of a tree
that looked as if it would burst
under every leaf
into a brood of scarlet figs

if someone suddenly sneezed.

Love Poem for A Wife, 1



Love Poem for A Wife, 1
 - A.K. Ramanujan

Really what keeps us apart
at the end of years is unshared
childhood. You cannot, for instance,
meet my father. He is some years
dead. Neither can I meet yours:
he has lately lost his temper
and mellowed.

In the transverse midnight gossip
of cousins’ reunions among
brandy fumes, cashews and the Absences
of grandparents, you suddenly grow
nostalgic for my past and I
envy you your village dog-ride
and the mythology

of the sever crazy aunts.
You begin to recognize me
as I pass from ghost to real
and back again in the albums
of family rumours, in brothers’
anecdotes of how noisily
father bathed,

Slapping soap on his back;
find sources for a familiar
sheep-mouth look in a sepia wedding
picture of father in a turban,
mother standing on her bare
splayed feet, silver rings
on her second toes;

and reduce the entire career
of my recent unique self
to the compulsion of some high
sentence in His Smilesian diary.
And your father, gone irrevocably
in age, after changing every day
your youth’s evenings,

he will acknowledge the wickedness
of no reminiscence: no, not
the burning end of the cigarette
in the balcony, pacing
to and fro as you came to the gate
late, after what you thought
was an innocent

date with a nice Muslim friend
who only hinted at touches.
Only two weeks ago, in Chicago,
you and your brother James started
one of you old drag-out fights
about where the bathroom was
in the backyard,

north or south of the well
next to the jackfruit tree
in your father’s father’s house
in Alleppey. Sister-in-law
and I were blank cut-outs
fitted to our respective
slots in a room

really nowhere as the two of you
got down to the floor t draw
blueprints of a house from memory
of everything, from newspapers
to the backs of envelopes
and road-maps of the United States
that happened

to flap in the other room
in a midnight wind: you wagered heirlooms
and husband’s earnings on what the Uncle in Kuwait
would say about the Bathroom
and the Well, and the dying,
by now dead,

tree next to it. Probably
only the Egyptians had it right:
their kings had sisters for queens
to continue the incests
of childhood into marriage.
or we should do as well-meaning
Hindus did.

Betroth us before birth
forestalling separate horoscopes
and mother’s first periods,
and wed us in the oral cradle
and carry marriage back into
the namelessness of childhoods.

SMALL-SCALE REFLECTIONS ON A GREAT HOUSE



SMALL-SCALE REFLECTIONS ON A GREAT HOUSE
- A.K. Ramanujan

Sometimes I think that nothing
that ever comes into this house
goes out.  Things come in every day

to lose themselves among other things
lost long ago among
other things lost long ago;

lame wandering cows from nowhere
have been known to be tethered,
given a name, encouraged

to get pregnant in the broad daylight
of the street under the elders’
supervision, the girls hiding

behind windows with holes in them.

Unread library books
usually mature in two weeks
and begin to lay a row

of little eggs in the ledgers
for fines, as silverfish
in the old man’s office room

breed dynasties among long legal words
in the succulence
of Victorian parchment.

Neighbours’ dishes brought up
with the greasy sweets they made
all night the day before yesterday

for the wedding anniversary of a god,

never leave the house they enter,
like the servants, the phonographs,
the epilepsies in the blood,
sons-in-law who quite forget
their mother, but stay to check
accounts or teach arithmetic to nieces,

or the women who come as wives
from houses open on one side
to rising suns, on another

to the setting, accustomed
to wait and to yield to monsoons
in the mountains’ calendar

beating through the hanging banana leaves.

And also, anything that goes out
will come back, processed and often
with long bills attached,

like the hooped bales of cotton
shipped off to invisible Manchesters
and brought back milled and folded

for a price, cloth for our days’
middle-class loins, and muslin
for our richer nights.  Letter mailed

have a way of finding their way back
with many re-directions to wrong
addresses and red ink marks

earned in Tiruvalla and Sialkot.

And ideas behave like rumours,
Once casually mentioned somewhere
they come back to the door as prodigies

born to prodigal fathers, with eyes
that vaguely look like our own,
like what uncle said the other day:

that every Plotinus we read
is what some Alexander looted
between the malarial rivers.

A beggar once came with a violin
to croak out a prostitute song
that our voiceless cook snag
all the time in our backyard.

Nothing stays out: daughters
get married to short-lived idiots;
sons who run away come back

in grandchildren who recite Sanskrit
to approving old men, or bring
betelnuts for visiting uncles

who keep them gaping with
anecdotes of unseen father,
or to bring Ganges water

in a copper pot
for the last of the dying
ancestors’ rattle in the throat.

And though many times from everywhere,

recently only twice:
once in nineteen-forty-three
from as far away as the Sahara,

half-gnawed by desert foxes,
and lately from somewhere
in the north, a nephew with stripes

on his shoulder was called
an incident on the border
and was brought back in plane

and train and military truck
even before the telegrams reached,
on a perfectly good

Chatty afternoon.

OBITUARY



OBITUARY

-  A.K. Ramanujan

Once in a while
A poet, or a writer
Or an artist, even
Should write
His own obituary
Obituary, mind you
Not eulogy
Some loving brother
Or cherished friend
Will surely find
Something meaningful
In whatever little
You created
And talk about
How passionate you were
About your craft
Even recite a few lines
You yourself would
Rather forget
All this while
Your muse
Looks away, cynically
Another one bites the dust
She’ll mutter
Betraying me
That’s why,
I insist, each poet,
Writer, artist even
Must write
His own obituary
Write and rewrite
Till it becomes
Irrelevant